When it comes to food photography tips, this overhead setup is one of my favorites. With as popular as overhead images are in food photography, it’s important to have a solid setup to help you capture this angle correctly. Let’s dive into my favorite overhead setup for food photography!
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Popular Overhead Setups For Food Photography
There are two very common ways to shoot overhead. These include holding the camera or using a standard tripod. Unfortunately, for me, these two options haven’t always been successful for my overhead images. Let’s talk about the pros and cons of these two popular overhead setups.
Holding The Camera
PROS
- Less gear to deal with
- Quick and easy
I didn’t have a lot of food photography equipment when I was first starting out. I would shoot overhead images by standing over the food and holding the camera. It didn’t require extra gear and felt like an easy approach to capturing overhead food images.
CONS
- Images look inconsistent
- Images look off balance or not very level
The problem, however, was when I would hold the camera a lot of my overhead shots either looked off balance or just not level. This caused a lot of inconsistencies in my images.
As I gained more experience, I noticed that a popular request was to get overhead images that could work well horizontally as well as vertically to accommodate different media orientations. Holding the camera always made this really difficult to achieve without having to take a bunch of extra shots. Several images and a sore back later, holding the camera became too much of a guessing game for certain client projects, so I needed to find a more reliable option.
iPhone Tip: Use A Tripod for iPhone Food Photography
For my iPhone shooters, if you shoot food photography with your iPhone camera, you are probably always holding your iPhone to take pictures. It’s super convenient to hold the iPhone to take a picture, but this can cause a lot of issues with iPhone food photography, including blurry images, poor angle choices and grainy-looking images.
Check out this blog post that shares more about The Best Tripod for iPhone Food Photography. It solves many iPhone food photography issues simply because your iPhone camera is stabilized.
PROS
- Stabilizes your iPhone camera
- Positions the iPhone to the correct angle
- Prevents blurry images
- Prevents grainy-looking images
- Frees your hands to make adjustments to food
- Frees your hands to adjust your camera settings
CONS
- A little extra gear to work with (but so worth it!)
READ MORE ABOUT: THE BEST IPHONE TRIPOD FOR FOOD PHOTOGRAPHY
Tripods For Food Photography: Oben CT-3581
PROS:
- Lightweight
- Packs up small
- Easy to travel with
- Ability to shoot overhead without an extension arm
The Oben tripod was a great first tripod for me in the beginning. It’s super lightweight (only 3 lbs!) and packs up nice and small for traveling on location. One of my favorite features was that the legs flip upside down so I could position my camera for overhead shots without needing a separate extension arm. It also doesn’t take up a lot of room if you’re working in a smaller space.
TIP: IF THE OBEN CT-3581 IS UNAVAILABLE, THE OBEN CT-3535 IS SIMILAR.
CONS:
- The legs can get in the way of the shot
- You have to set up the food on the floor
- You need to completely readjust the tripod for other angles, which takes time
One of the problems I had with using the Oben tripod for overhead shots was that the legs would sometimes get in the way of the image. This resulted in a lot of extra editing for me after the photo shoot.
I would also have to set up my food on the floor for the overhead shots, which worked ok. But, in order to shoot at other angles, I would have to physically move the board from the floor to a table. Then, I would have to completely readjust my tripod to shoot at a different angle. I just felt that it became unnecessarily time consuming.
READ MORE ABOUT: THE BEST ANGLES FOR FOOD PHOTOGRAPHY
Tripods For Food Photography: Manfrotto 055
PROS:
- Solid, sturdy tripod
- Packs up well for travel
- Easy to use for straight on and 3/4 angle shots
After using the Oben for a while, I decided to get another tripod and bought the Manfrotto 055. Manfrotto is a very popular brand in the photography community because the quality is sturdy and reliable. This tripod weighs a little more than the Oben (around 7 lbs). The extra weight didn’t bother me, because it felt like a more secure tripod. It packs up well for travel and is very easy to use.
TIP: IF THE MANFROTTO 055 ISN’T AVAILABLE, THE MANFROTTO 190 XPRO WITH BALL HEAD IS SIMILAR.
CONS:
- You need a longer extension arm for overhead shots
- You have to adjust the tripod legs a lot
- You have to readjust the tripod to shoot other angles
Overall, the Manfrotto is a great tripod. But, it still isn’t my favorite for overhead shots when using my mirrorless or DSLR cameras.
First, the Manfrotto tripod comes with a center column arm for shooting food overhead, which is important. This arm extends over the table, but unfortunately it isn’t very long. It works great when using the iPhone camera, but does not work as well with a mirrorless or DSLR camera because it’s just not long enough.
A good solution, however, is to order a longer extension arm to attach to the Manfrotto. I ordered the Photek Tripod Extension Arm which allowed my camera to reach further across the table. And, this works out pretty well.
TIP: IF THE PHOTEK ARM ISN’T AVAILABLE, ANOTHER OPTION IS THE MANFROTTO 131DB.
Another issue I have (and this is more of a personal preference), but I really don’t like adjusting the tripod legs for overhead shots. I think this can be a bit time consuming to make sure each of the legs are positioned correctly.
And, getting back to a similar issue I had with the Oben, when I wanted to shoot at an angle or straight on with the Manfrotto, I would have to remove the extension arm and completely readjust my tripod and the legs. This also felt more time consuming than I wanted it to be.
Ultimately, I came to the conclusion that I love using the Manfrotto for 3/4 angle and straight on shots, but for overhead shots, I wanted to use a different set up.
The Best Setup for Overhead Photography
After doing some research and getting creative in my home studio, I finally discovered a reliable setup for overhead food photography.
PROS
- Perfectly level shots that work both horizontally and vertically
- Ability to raise and lower my camera easily using the two light stands
- Allows me to use my Manfrotto tripod separately for the 3/4 angle and straight on shots
- Easy to set up and take down
- Expandable for different surface widths
- No more holding the camera and “hoping” I got the shot
- No more tripod legs interfering with the image
- No more shooting on the floor
- No more annoying tripod leg adjustments
CONS
- The extra equipment may take up a little more space
- The initial cost of equipment could add up (but it’s worth it!)
- You will need to shoot tethered using this setup (this isn’t necessarily a con, but it depends on your workflow)
Equipment For Overhead Food Photography
Below is a list of the equipment you’ll need with pictures to help create the visual. Reach out if you have any questions at all.
And, if video is more your thing, be sure to check out my quick video of this setup on Instagram.
1. Two Light Stands
First, you’ll need two light stands. Set them up far enough apart to support the width of your extension arm (this is listed next).
The light stands should allow you to raise and lower the camera as needed with ease. I find adjusting two light stands much easier than adjusting the length of the three tripod legs. I recommend purchasing a level to just to be sure your light stands are equal in height and your camera is perfectly level.
2. One Extension Arm
Next, you’ll need an extension arm that rests between your two light stands. This will also hold your camera above the table. I’m sharing three different extension arm options below and I use all three of these extension arm options depending on the length I need.
1. EXTENTION GRIP ARM (40″)
You can get this extension grip arm which is 40 inches in length. This already comes with one avenger grip (listed next) already attached on one end. If you get this extension arm, you’ll need to purchase two more Avenger Grips for the overhead setup.
2. C-STAND WITH BOOM ARM (50″)
Using a C-Stand with a Boom Arm is another option and it’s a little longer giving you 50 inches in length. This will also come with one grip, so you’ll need to buy two more Avenger grips for the overhead setup.
* I am using the 50″ C-stand arm in this post and in the Instagram video setup.
3. CUSTOM CUT CONDUIT PIPE
If you need an arm that’s longer than 50 inches, I recommend getting a conduit pipe cut to the length that you need. I have one cut to 80″ for my wider surfaces. I got this pipe from Ace Hardware and had them cut it down for me. I brought an avenger grip to the store to be sure the diameter of the pipe would fit securely into the grip. If you decide to get a custom cut conduit pipe, you will need to buy three Avenger Grips for the overhead setup.
3. Three Avenger Grips
You will need 3 avenger grips depending on the extension arm you decide to get. You will need to attach these to your light stands and to the center of your extension arm.
If you getting the 40″ Extension Grip Arm, you only need two avenger grips, because one already comes with the arm.
If you get a 50″ C-stand with boom arm, you will only need two avenger grips because one already comes with the C-stand.
If you get a custom cut conduit pipe cut to your desired length, you will need three avenger grips.
The first grip attaches to one end of your extension arm and one of the light stands. The second grip attaches to the center of the extension arm. And, the third grip attaches to the other end of your extension arm and the other light stand.
4. Neewer 1/4 To 3/8 Spigot
Next, you’ll need a 1/4 to 3/8 spigot. The thinner (1/4) end of the spigot will attach to the grip in the middle of your extension arm. The thicker (3/8) end will screw into the ball head (this is listed next).
You’ll get two spigots per order, but you’ll only need to use one for this setup. They are pretty small, so save the extra in case you lose the other one.
5. Ball Head
Next, you’ll need a ball head. This will attach to the center avenger grip by screwing into the 3/8 end of the spigot. And, ultimately, you attach your camera to the ball head so it’s positioned for an overhead shot.
I mentioned the Manfrotto 055 earlier in this post which already comes with a ball head. But, since I use my tripod for the 3/4 angle and the straight on angle, I needed to buy an extra ball head for my overhead setup. You can buy a tripod and ball head together or buy the ball head separately.
I recommend having both the Manfrotto 055 tripod and ball head for 3/4 and straight on shots and getting an extra ball head for the overhead setup. Then, you can easily switch your camera from one setup to another depending on the angle you need to shoot at. It’s a huge time saver on photo shoots! 😉
Tethered Shooting For Food Photography
This overhead setup for food photography will require you to shoot tethered. Shooting tethered just means that your camera has a cable connecting it directly to your computer. It allows you to review your images on your computer as you shoot so you can see your image on a larger screen.
Seeing your images displayed on a larger screen is a great way to improve your food images, because you can see everything more clearly and make adjustments as you shoot.
If you can flip your LCD screen open on your camera, you could get away with not shooting tethered with this setup. However, the screen is pretty small, so it could be difficult to see important details of your image. And, if your camera is positioned pretty high up, you’ll need a step stool to see it clearly.
Tether Tools
There are a variety of tether cables to choose from. Make sure the tether cable you get is compatible with your camera model before purchasing. Tether tools is a great resource to make sure you get the right cable.
When you go to the Tether Tools home page, click Search By Camera at the top of the page. From there you can enter your camera brand, model and computer port and it will tell you exactly what tether cable you’ll need. Easy peasy!
READ MORE ABOUT: HOW TO SHOOT TETHERED FOR FOOD PHOTOGRAPHY
The Cost Of Overhead Photography Equipment
This overhead setup for food photography will vary in cost depending on what materials you actually need. It cost me under $500 for this setup and while that may sound pricey, it has been absolutely worth it for as often as I’m shooting food images overhead.
I also love having a separate overhead setup for food photography so I can use my tripod for the 3/4 angle and straight on shots that I need to capture. It has made my photo shoots so much more efficient and has always resulted in beautiful food images.
In conclusion, there is no right or wrong way to shoot overhead food photography. It’s important to do what works best for you, your space and your budget. I hope it works out for you! Reach out with questions anytime and be sure to follow me on Instagram!
Happy Creating!
Summary of Equipment
- MANFROTTO LIGHT STANDS (2)
- IMPACT 40 INCH EXTENSION ARM
- IF THE EXTENSION ARM IS UNAVAILABLE, GET A C-STAND WITH A BOOM ARM
- AVENGER GRIPS (3)
- NEEWER 1/4 TO 3/8 SPIGOT
- BALL HEAD
- SMALL LEVEL
- MANFROTTO 055 TRIPOD FOR 3/4 ANGLE & STRAIGHT ON SHOTS
TIP: FIND ALL OF THE GEAR FOR THIS OVERHEAD SETUP IN MY AMAZON STORE.
This post contains affiliate links which means if you click or make a purchase through my site, I might make a small commission (at no extra cost to you). I only promote products and equipment that I actually use and support.
All images ©Regan Baroni 2020.
Love this – super helpful! Adding all of these to my amazon cart now. Thank you!!!
Awesome, Janelle! This setup has been a game changer. Let me know if you run into any questions!
Super detailed, amazingly helpful post. Thank you for sharing – I’ll be doing my best to replicate it at my home studio!
Hi,
Great setup! Thanks for sharing.
I have not utilized a tripod previously and I am acknowledging it would be decidedly effective. I didn’t see before that I generally have a slight shake when I take photographs. Scarcely perceptible, however present in any case. I preferred the Manfrotto tripod ( Manfrotto 058B Triaut Camera Tripod – Replaces 3251) that you connected to in your post. It was around $500. Do I need anything else to go with it? I mean to shoot both calculated and overhead photos and in the end possibly video. Do I need an extra ball head (?) and the arm to empower me to do as such? Much obliged ahead of time!
Hi there!
I am not familiar with that tripod or the type of camera you’re shooting with. But, for overhead shooting, you may need an extra extension arm such as the Manfrotto 131D Lateral Side Arm. The tripod you listed is also for medium format or 4×5 cameras, so be sure to check with Manfrotto if you will need a separate ball head or not. So glad you enjoyed the post! Cheers!
This is so informative!! Thank you so much! On another note…I noticed on your setup that it looks like you have an umbrella light and a reflector…do you shoot with natural light? Would I be able to attain the beautiful soft lighting you get without the natural light? It’s a challenge finding time to shoot while the sun is still out and without my 5 year old running around during the day lol.
Hi Jas!
Thanks for commenting! I shot with natural light for years, but I actually shoot with studio lights now – for the same reason you mentioned – control and not always being able to shoot at that “perfect time of day.” My home studio is setup in our entryway where there is a decent amount of natural light from that large window, however it doesn’t affect my working with studio lights. My camera settings and the power of the lights allow me to control the look I’m going for completely – without relying on natural light at all. I hope this helps and good luck with your photography!
It’s an interesting set up and thank you so much for your post and for sharing. But I’m having a hard time understanding how the set up allows you to raise and lower your camera with ease. Wouldn’t you have to raise or lower one side and then go around to the other side to rasie and/or lower that side and then use a level to make sure everything is level and if not repeat the process? I’d really be interested in hearing how you address this potential problem. I think maybe using a 24-70 would save substantial time but I love my primes.
Hi Barbara!
Thank you so much for this question! You are correct – I typically raise one light stand at a time and make sure it’s level. It doesn’t take much time at all. Adjusting the light stands height is much easier (and faster) than adjusting the three legs of my tripod. The 24-70 lens is a GREAT idea for this overhead setup if you’d rather just adjust the light stands once and then zoom in or out with the lens throughout the shoot. Everyone’s workflow is a little different, but I’ve definitely found this setup to be way easier to work with for overhead shots. Hope this helps!
Hello again! Apologies for the second reply here but I was reading your post again and Lightroom doesn’t support Nikon tethered in live view. You mentioned that “tethering allows you to view the images on your computer screen instead of on the camera back.” So my question is what software are you using to view the images while tethered? Can’t be LR. Thank you!!!
Hello again! Yes, you are correct. Lightroom doesn’t support live view for Nikon cameras while tethered for the initial setup. During my workflow, I don’t mind taking a couple of extra pictures during the initial setup so I can see if the camera, props and food are positioned correctly. I can easily review the images shot on my computer and make adjustments to the composition as I get started. While having the live view would be so nice, this workflow has worked out really well for me. I’m debating trying Capture One, though, in order to have LiveView capabilities. I added links to Camera Control Pro 2 (a separate Nikon application) and Capture One (offering a free 30 day trial) in the post. I’ll list these under the “Shooting Tethered” section. Hope this helps and thanks so much for the great question!
Lightroom now supports LiveView with Nikon. Yay!
Hi Regan! Great post, I’ve been looking for a solution for top view images since my tripod isn’t tall enough, and I’ve encountered all the problems you mentioned. So I generally get on a chair and shoot without a tripod at all, but this limits me because I can’t get any shots with my hands in the photo, and it can get exhausting going up and down the chair 100 times, lol. So thanks for this post. Also, I see you’re using a white reflector, but your shots generally look light to dark with nice depth, do you block light on the sides or opposite of the light source?
Hi Mary! I’m so glad you found this overhead setup helpful! I absolutely love it. As far as my light setup in the pictures – it can vary depending on what I’m trying to accomplish with the look of the image. I shoot with studio lights, so no natural light is getting into my images. I use one light for that light to dark look. I hope this helps! Cheers!
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I’ve recently been following your work on Instagram! I’m loving what I see. Very inspiring work (just left a comment on instagram as well :P) Thanks for sharing this set up. I’m presently using a tripod, a small ladder to do overhead shots but I’ll definitely try to get this set-up in the future.
Oh, thank you so much!!! I used a ladder and a couple different tripods in the past too. This setup is a little more involved at first glance, but once you get it set up, it’s so much easier to get perfectly shot overhead images. It’s easy to setup and easy to take down and can pack up and travel on location, if needed. There’s nothing wrong with using a great tripod, but I got annoyed with having to adjust the legs for overhead shots. Hope this helps!
This is a game changer – thank you for sharing!
Cheers!
Awesome! You’re very welcome, Carrie! Cheers!
Such a well organized post! I’ve had all the same frustrations, and I think I already have most of the gear you mentioned for this. Eager to try it out!
Awesome, Cacey! I’m so excited for you to try it! Glad the post was helpful.
Hi!
I am trying to build out this setup as we do a lot of overhead photography in our studio, and this looks like it will streamline the overhead setup process.
Can I use two Neewer metal c-stands for the two sides, or they have to be the Manfrotto-style light stand for it to work properly?
Hi Sarivka! You can use any two light stands you want for this setup. It is a great setup – let me know if you run into any other questions!